#Hayato Gokudera
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lemorgo · 1 year ago
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i don't care what year it is
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yarrayora · 1 month ago
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tis the season for mafia's social gatherings
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akkariynn-tries-her-best · 4 months ago
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Another Hayato Gokudera drawing. This man made me go so insane in middle school thanks to his fashion sense xDD
It feels nice to remind myself of all the shounen series I used to love and reborn still holds a special place.
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skullmotif · 9 months ago
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To be the nucleus that attacks relentlessly, never resting. The tempestuous storm!
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incorrectkhrquotes · 1 year ago
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Gokudera: You can’t make everyone like you, you’re not Tsuna.
Yamamoto: What? Not everyone likes Tsuna.
Gokudera: What- who doesn’t like Tsuna?
Yamamoto:
Gokudera: Names, Yamamoto. I need names.
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yacchannanamin · 4 months ago
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Happy birthday Gokudera - September 9th
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jounouchis · 10 months ago
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khr op/ed 1+2
back in 2020 I was going some redraws from the reborn openings and endings.... this is as far as I got but I should again some day lmao
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zefirkayoshi · 2 months ago
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Blushing
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hendrickcreates · 1 year ago
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Gokudera Hayato: 10th Vongola Storm Guardian
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khr-guilded-cage · 4 months ago
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Edit: I could not find ANY Knuckle Gif
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ciaossu-imagines · 2 months ago
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Day 3 - at some point the vongola 10th squad will move to italy, lbr. Question is: what is rhe BIGGEST culture shock for the japanese boys? What ia the thing Dera and Lambo will miss most about Japan? Anything anyonw will have issues to adapt to or adapt to again?
I actually think that me and you have talked somewhat about this before! At least, the fact that I really don’t think that the Vongola 10th move to Italy full-time. The TYL! Arc was still set in Namimori, where we see a strong Vongola presence in Japan. We kind of see that a lot of them were off and doing their own things. Chrome was in France, along with Chikusa and Ken. Yamamoto had said he was off and playing baseball, and to be doing so at 24/25, I like to believe it means that he was at least able to go semi-pro, like he’d hoped in his younger years to do so. It’s said that Ryohei was visiting Italy to see Lussuria, and that combined with the photos on his dresser and Hana’s dresser, leads me to believe he divides his time in between different places and that he still spends a good chunk of time in Japan, albeit it I don’t believe he lives there year-round either. Hibari is so devoted to Namimori, it’s a huge part of his character, that I do not see him being willing to move full-time to a foreign country. On top of that, Tsuna’s Vongola Neo has broken literally every single other rule around Mafia life, for the most part, that I don’t think they’re going to follow some old-fashioned rule about needing to live and operate exclusively in Italy. There’s just a lot of inference, in my personal opinion, that lends itself more to the idea that Tsuna’s Vongola operates on a more global scale. Hell, if the right people were to find their way into the story in future arcs, I could even see the reach of the Vongola extending past Italy, past Japan, and extending into many other countries, though I don’t think it will be Tsuna’s goal and more something that just kind of happens.
With all that being said, I’ll do my best to answer the question, really just focusing on what the biggest culture shocks were for everyone when they first visited and what they had the most trouble getting used to, whenever they spend any amount of time there.
Tsuna really struggles with just how much more pressure he feels whilst in Italy. Whenever he is in Italy, whether it’s a short visit or a longer stay, there just seems to exist a pressure that he doesn’t feel when he’s back in Japan, with his Guardians and those that he’s gotten to know since his teenage years. In Italy, more people seem to know him and those that don’t seem to suddenly kowtow and treat him with a respect bordering a little on fear at times as soon as they hear the word Vongola in relation to him. Those left over from Timoteo’s time as the Vongola boss all seem to have great expectations from Tsuna or expect him to largely be something he’s really not, even though they have all had literally years to realize that Tsuna does not want the Vongola to continue the way it always had prior to this. There’s just a lot of stress, anxiety and pressure that he feels whenever he has to spend time there that he’s not really fond of. Plus, with all the stress and anxiety, on top of the difference in his diet while in Italy, he always struggles with stomach issues while there.
For Yamamoto, the biggest culture shock is really just getting used to how grand everything seems. Namimori was kind of a sleepy little Japanese town where most everyone knows everyone else. He’s used to knowing all his neighbours. He’s used to just casually chattering away with the elderly folks. He’s used to a specific type of architecture. Italy? Nothing at all like what he’s used to. It really hit him, the scale and grandness of some of Italy’s architecture, how big the country really is, how just…different…everything is on that first trip he took there with Dino back as a teen. Despite knowing in his mind after that what Italy can be like and that it is different from Namimori, the fact still really hits him each and every time he goes there. To him, there’s just something old and grand and cultured about Italy and while he loves it, it also kind of makes him feel out of place at times.
Gokudera doesn’t really experience much in the way of culture shock when it comes to returning to Italy. He spent too many years of his life there, so he knows what it’s like. He’s accustomed to it and every time he returns, he just kind of slips effortlessly back into the customs and culture of the place. He not only has that going for him, but I also don’t see him as being someone who is prone to experiencing much culture shocks. Any time he is going to be travelling to someone new and unfamiliar to him, he spends a lot of time researching the geography, interesting locations, history, and culture of the place he’s going to. He learns social customs and taboos. He’s always been kind of a nerd when it comes to researching in that it’s something that makes him happy, but this kind of research also means that he feels pretty well-prepared for exploring untrodden ground.
Ryohei? His biggest culture shock moment, and the thing he finds hardest to adjust to, is definitely the currency system. He’s spent his entire life using Japan’s currency system. He knows the yen. It’s all he knows. So switching to the euro and remembering how to convert a yen to a euro on the fly? It’s really, really hard for Ryohei, who isn’t the best at math-based things to begin with. It kind of hurts his brain and it’s going to take him at least a solid month before he becomes at all comfortable with it. Even then, he’s still going to prefer what he’s grown up with and is the most comfortable, and frequently encourages his Italian friends to champion converting their country’s currency system over to the yen.
While Lambo might have spent the first four to five years of his life in Italy, enough to have pleasant memories of it, he has, for the large part, grown up in Japan. He’s spent most of his formative years in Japan. He’s no more fully steeped in Italy’s culture than an Italian-American who goes on their first trip to Italy to ‘discover their roots’ is. It also doesn’t help that a lot of his memories are from such a young age, when they’re hazy enough that he doesn’t remember what was make-believe and what was truly real. Because of that, he is definitely prone to culture shock. The biggest one that gets him is the food culture between Japan and Italy…honestly though, he’s not complaining. While he’ll miss Nana’s home cooking anytime he’s in Italy for long stretches, he’ll find he’ll go back to Japan and really end up missing out on some traditional Italian dishes that he routinely had while there as well.
Hibari experiences less culture shock then you would expect. It’s mostly because, when he travels, which we’ve been shown he does with startling frequency (he’s been travelling as an adult when we see him in the Future Arc, he travels to various places to train with Dino during the ring arc), there’s explicit reasons and purpose behind his travels. When he’s going someplace new, someplace outside of Namimori or even outside of Japan, he’s doing so for one or two explicit reasons and those reasons are all he cares about. He doesn’t want to sightsee. He doesn’t give a shit about the culture or immersing himself in it. He can speak the language (sometimes only crudely, but enough to carry on basic conversations), he can figure out where he’s going, that’s all he needs. It’s really tough to experience culture shock when you don’t care about the culture, when you just want to accomplish something and leave the country.
Mukuro really doesn’t experience a lot of culture shock anytime he’s in Italy. It’s got nothing to do with whether he’s from there or not originally, as I know there’s some differing opinions on that, but more to do with the fact that Mukuro travels the world. He’s not someone who stays exclusively in one location constantly and has no experience outside his home base. He likes traveling and he’s someone who honestly finds a lot of fun in learning about the culture of a place before going there. Some of his ideas are definitely very misinformed and based on popular media, but he does his best to learn the language of the area and at least the broad strokes of culture. He doesn’t really get ‘culture shock’ because he’s throwing himself into the culture, getting as immersed in it as humanly possible, whenever possible. The new experiences and the differences in how societies function intrigues him instead of confusing him.
Chrome’s biggest culture shock the first time she was in Italy? Just how physically affectionate Italian’s seem to her. To her, compared to Japan, they seem very touch-focused and it’s something she really, really doesn’t like. There’s a lot of amazing things about Italy in Chrome’s mind, but that’s not one of them.
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nereisi · 2 years ago
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You want a non-cliché male (shounen) protagonist? I got it!
Something that I literally can’t get out of my head recently is how I constantly see discourse about the staleness of male MCs - especially shounen manga protagonists - always so ready and accepting of being the Chosen One. Always so ready to discard their “mundane” life and embark on some dangerous mission. Outspoken, fiery and with unbeatable charisma.
And while we are beginning to see (minimal) change with recent books/manga, do you know who was literally the antithesis of this a lot of years ago?
Tsuna.
Tsuna who was literally the last choice for everything, whose nickname was Loser-Tsuna, constantly bullied and harassed and whom nobody thought he would ever amount to anything. 0 friends, 0 abilities, 0 accomplishments. 
And when some guy to tell him “You can become the head of a mafia family. You’re gonna be respected, sought after.”, when Reborn serves him POWER on a silver platter... Tsuna says “oh hell no, fOck all that”, turns tail and RUNS. 
He won’t manage to escape forever, but that’s beside the point. Tsuna is a coward, a plain nobody, so boringly normal that in any other anime he would be for sure one of the background filler characters. He isn’t cut to be a protagonist. He’s wimpy, weak and whiny, sometimes to the point of being annoying ever for me - and I love KHR.
But what fascinates me is this. A character so weak and bullied, usually would be elated to have that much power offered to him. I knew that he was the protagonist, so the first time I watched the series I was expecting him to accept the power and better himself, become a different person, a hero. (Or, if he was in another manga, a villain.) 
Instead, not only Tsuna refuses - again and again, until the very end - to become who he was destined to be, who everyone around him wants him to be; but the only time he uses the power he was gifted with is strictly to protect himself, his friends and family. And then he quickly steps away immediately after, like when you move a scalding pot without mittens. 
His guardians have become... his guardians, in order, because: 1) he saved his life, so he thinks he’s cool 2) mostly head empty, only vibes (also he saved his life) 3) a literal child bribed with candy 4) somebody else asked him and he just went with the flow 5) one crumb of kindness got them hooked (actually 2 psycopaths in one body and it’s not a metaphor) 6) doesn’t give a shit as long as you give him a good fight. 
Sure, at some point they all recognize his strenght, but apart from Gokudera’s blind idolization, for everybody Tsuna is just A Guy. He might be their “boss”, and they might come to respect him, but he gets treated nothing like a cliché male MC. 
It’s really a shame that Katekyo Hitman Reborn, as a series, was managed badly as it did. Even though it’s one of my favorite shows, it’s weakened by a lot of factors... but an uninteresting MC? It ain’t one!
I smell a reboot in the air. I really hope they will to the series justice.
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yarrayora · 8 months ago
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reborn isnt the only mentor who gives his apprentices daddy issues
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harumiura · 11 months ago
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yamamocchan appreciation post :D
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vongola-renaissance · 2 years ago
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Gokudera and Tsuna's friendship is so special to me because Gokudera is like YOU SACRIFICED YOUR LIFE FOR MINE I'D DO ANYTHING I'D GO ANYWHERE FOR YOU DIE FOR YOU AND KILL FOR YOU I'D— and Tsuna is visibly shaking with anxiety and stress saying that living and being just his friend is more than enough please thank you please Gokudera I'm begging you please
You really need to add Yamamoto there to control them both and calm them down for the sake of Tsuna's health and for the safety of Gokudera. Except from those great times when Yamamoto joins Gokudera in whatever insane shit Reborn is planning now and you remember Yamamoto was the one who almost suicide out of passion like, he is objectively not better than Gokudera, he's just more chill about it but equally insane.
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incorrectkhrquotes · 1 year ago
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Gokudera: Thought I was meowing back at Uri for the past hour. Turns out it was just me and Yamamoto meowing at each other from different rooms in the house.
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